Tag Archives: A Prairie Home Companion

My Favorite Un-Americana Music of 2017

Photo by Oliver Zühlke/Creative Commons

This is the season that I try to be the first kid on the block to beat out the barrage of those end-of-the-year lists from critics and pundits. At No Depression, and other like-minded music websites and magazines, the official music polls from readers, contributors, and reviewers will be coming in December. Had I been born a betting man, I’d lay down a few hundred bucks that there’ll be little variation or surprises between any of them. Ever since the term roots music has morphed into a more definable mainstream “Americana” tagline, diversity has seemed to have left the building. While you won’t get much disagreement from me on the quality and depth of music that has been released so far this year, it seems that I continue to find myself taking the road less traveled.

This year it feels as if I’ve been walking down the dark side of the street, whether we’re talking about  art, culture, politics, or simply life in general. There were health issues to deal with and the loss of a parent. I’ve found myself constantly concerned for my children that a madman lives in Washington who is one button away from annihilating the planet when he’s not chipping away at the fabric of our society by normalizing the abnormal. From the racist cries of “blood and soil” to an unjust justice system that tips to white skin and wealth to revelations of what we already know … that bad men do bad things to women and children … and to all the other natural and human disasters we’ve lived through so far, I’m only finding shelter by cocooning with music, books, and video.

So with that bright and shiny preamble, here’s some of my favorite aural oddities and mainstays for the year. As always, I use a different yardstick to measure and compile my list. This is what I have either discovered or gravitated to, undefined by such things as release dates. Whether it was brand new this year or merely recycled from the past, who cares?

The Entire Ry Cooder Catalog

I wish he would have titled one of his albums Pastrami on Ry, and I’m sorry that for most of his career I’ve largely ignored his solo work. Aside from a seemingly infinite number of songs he’s done session work on for others, the only albums I’ve really known inside out have been two from the ’70s: The Gabby Pahinui Band Volume 1 and his solo Bop Til You Drop. So now, thanks to the magic of touch and click streaming, I’m making my way through everything else. While skipping around and sampling from this era and that, I’m spending most of my time with Paradise and Lunch, Into The Purple Valley and Chicken Skin Music.

A Prairie Home Companion

While I know he’s trying his hardest and still growing into his role, Chris Thile’s voice reminds me of Opie Taylor and he’s yet to hone his comedic skills with timing and inflection. But on the other hand, he’s doing an amazing job at making great music with that killer band he’s assembled and presenting exceptional guests week after week. He’s going down the right path but one suggestion would be to please stop referring to Sarah Jarosz as “inimitable.” Why continually state the obvious? Finally, a note about Garrison Keillor. Over the years he’s entertained millions of us and his wit, humor and his support of musicians won’t be forgotten. And while it was sad to witness his termination played out in counterpoint to rapists and serial harassers , he had to go.

David Rawlings

I got a chance to see David and Gillian right before the release of Poor David’s Almanack, and it was the first time I’d ever seen them live in concert. Tickets have always seemed to get swallowed up the minute they go on sale and my budget doesn’t include StubHub. After 21 years of being a devout fan of their partnership, each and every note, song, and harmonic moment gave me a night of multi-orgasmic goosebumps.The album is simply perfect.

Freakwater and The Mekons

In September these two bands reunited as The Freakons and performed two nights in Chicago. Monica Kendrick for The Reader broke the news about a new album they’re now recording. She wrote that it’ll consist of “traditional songs about an industry that links the English Midlands, the Welsh valleys, and the ‘dark and bloody ground’ of Appalachia: coal mining. Haunting tunes in that vein came from both sides of the pond, and the Freakons take them on in the high-lonesome, rabble-rousing tradition of late West Virginian labor singer Hazel Dickens. Proceeds from the album, when it’s finished, will benefit Kentuckians for the Commonwealth, a grassroots organization that promotes voting rights and opposes mountaintop-removal mining.”

Rodrigo Amarante

Gotcha … right? A Brazilian singer-songwriter and multi-instrumentalist, Amarante is a member of Los Hermanos, a band that still plays live but hasn’t recorded since 2005. He partnered with The Strokes drummmer Fabrizio Moretti and American musician Binki Shapiro, who in 2008 released an album on Rough Trade as Little Joy. In 2015 he wrote and recorded “Tuyo,” which has been used as the theme song for the Netflix series Narcos. It’s an earworm.

Tom Brosseau

The ten songs on Treasures Untold were recorded live at a private event in Cologne, Germany. The album features six American folksongs and four originals. Brosseau was born and raised in Grand Forks, North Dakota, where in 2007 the mayor awarded him the key to the city. I think about that often. Since 2003 he’s lived in Los Angeles, has recorded a bunch of albums, and toured Iceland. Well … other places too.


Valerie June

I don’t pretend to understand her and I don’t listen to her albums. But I’ve seen her perform twice and she is the modern-day Nina Simone. Undefinable and undeniable.

Tom Russell

He celebrated his 68th birthday last March and has released 29 albums, two of which came just this year. The first was his tribute to his old friends Ian and Sylvia, and now he is out on tour supporting Folk Hotel, a collection of originals. Two shots here: Tom playing with Max De Bernardi “The Last Time I Saw Hank” at Knuckleheads Saloon in Kansas City, Missouri in  September 2017. And while I’ve been enjoying both new albums, I also want to share the song that was my first introduction to Russell and remains my favorite.


And to those who passed…

Down that dark side of the street we’ve lost too many folks this past year. I’m not going to list them all here, but we’ll close it out with this … a tribute to them all.


This article was originally published as an Easy Ed’s Broadside column over at No Depression: The Journal of Roots Music.

The Prairie Home Antidote For American Political Anxiety


By the time this column is published, the last presidential debate will have either occurred or been cancelled, more women may or may not have come out to tell their stories of sexual abuse at the hands of a repulsive Republican nominee, Wikileaks will have posted information that indicates HRC is indeed a typical hack politician who says one thing to one group and something completely different to others, accusations will be made, lies will be told, and 92 percent of Americans will have already decided who they’ll vote for in less than three weeks.

If life was fair, we could just hit the the fast-forward button, race to the punch line, and be done with it all.

Whether you lean to the left or feel proud to be alt-right, everyone in our country is in the same boat: The U.S.S. Stressed Out.

While I think a solid argument could be made for dumping a strong dose of Xanax into the nation’s water supply, many humans find natural ways to soothe our souls and chill out when the going gets tough. Exercise, eating good food, hanging out with friends, dancing, taking nature walks, getting a massage, watching sporting events … you get the idea. And with 286,942,362 Americans currently connected to the internet, many are shopping, doing research, streaming films and music, engaging in meaningful dialogue on social media (yeah … I’m joking) and, of course, there’s always porn. Back in 2013 Google reported that there were more visits to porn sites than Amazon, Netflix, and Twitter combined. It’s huge!

But all this is just locker room banter — boy talk.

So lets get to the music.

Almost every Saturday night when I get off from work, I run to my car and turn on A Prairie Home Companion. Not one to actually sit still in front of the living room radio for two hours each week like they did back in the old days, my experience with Garrison Keillor and crew has always been more hit-and-miss. Fifteen minutes here, another five or ten there. Catch a comedy sketch, listen to a musical interlude. Over the years, I’ve read Keillor’s books, watched a lot of videos, loved the Robert Altman film enough to own it, and I have hours and hours of show snippets sitting in the digital jukebox that I liberally sprinkle into my playlists.

Last week, October 15 to be exact, was the official coming out party for Chris Thile as the new host of APHC. This is a great opportunity for Thile, but ever since Keillor announced his retirement, his departure has been mourned by many as the end of a grand American institution. I too have shared my own trepidation and despair on these pages as well. But surprise, surprise, surprise!

With the weight of the daily news cycle on my head and politics consuming my thoughts, it was with a low threshold of anticipation that I tuned into the show while driving home from work, and was confronted with the perfect antidote for my ballot box blues.

Making my way home, I hopped in and out of my car a few times — at the local Korean market for steamed fish and rice, a quick sprint through Trader Joe’s for uncured all-natural beef hot dogs, zucchini, and coffee, the local fluff and fold — and sweet music flowed in my ears every moment I was behind the wheel. Although it wouldn’t have been fair to expect that Thile would offer up the intellectual depth or comedic talents of Keillor, the applause coming through my car radio speakers sounded as if he won over the crowd at the Fitzgerald Theater with a stellar band and great guests. As you can hear for yourself, the show continued with the tradition of delivering the goods in American roots music.


This was originally published as an Easy Ed’s Broadside column at No Depression dot com. Because of space consideration I didn’t include a few other videos that I wanted to share,  featuring Jack White, Margo Price and Lake Street Dive. And so now, here they are.