Tag Archives: Indiana

When Kelly Pardekooper Ditched His Day Job

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Kelly Pardekooper in Iowa

Update January 2018: Kelly Pardekooper has released his ninth album 50-Weight, marking a 20-year bookend to his lo-fi debut release 30-Weight. Going back to his home state roots, 50-Weight was recorded in a rural Iowa barn studio June 1-4, 2018. Producer and guitar wizard hats are again worn by Iowa City friend Bo Ramsey. This article was originally published January 2016.

If you’re an indie musician and not living full-time in a van that takes you from city to city for gigs – gigs that can be as glorious as a packed club with respectful fans, or as humbling as a house concert with a dozen folks your parents’ age who’ve put together a potluck dinner – you probably have a day job. It’s a way of life for many, and although most choose not to bring it up publicly, we all probably know a tale or two of those that are now rich and/or famous. Jay-Z sold dope, Kanye West worked at the Gap, Kurt Cobain was a janitor, Tom Waits tossed pizzas, and Debbie Harry was a Playboy bunny.

Record labels have long ago stopped handing out advances and financing tours. So these days you’ll be more likely to find musicians playing weekend gigs within a few hundred miles of their home base while maintaining a steady income and doing the same type of day labor that we all do: retail, the food service industry, education, health care, technology, art, or construction. If it pays the bills and gives you the time and flexibility to both create and perform, its a win-win … especially if you’ve got a family situation to tend to.

The other day I got an email from the music editor at NUVO, the Indianapolis-based weekly magazine that bills itself as “Indiana’s Alternative Voice.” Kat Coplen wrote to me that one of their former employees had recently left his marketing gig with them to focus more on his music, and they are working up a cover story on him. Since its someone I’ve written about here at No Depression on a few occasions, she chose to pose this question to me: “In a world with a lot of roots rockers, what makes Kelly Pardekooper’s music and songwriting special?”

While you might not recognize Pardekooper’s name, you most likely have been among the millions of people who have heard his songs, thanks to shows like True Blood, Sons of Anarchy, and Justified. To recycle my own words from a previous article, he is a roots musician who writes some of the sweetest blues-infused, countryfied, American rock music of our time.

I first became aware of Pardekooper not from his music, per se, but because he was featured in my friend Sandy Dyas’ photographic book that documented the music scene in Iowa City, where he used to live. It’s a great community for all sorts of American roots music artists who build their sound on folk, blues, and country traditions and who mostly make their way by playing music in bars. Differentiating itself from your standard fare of quiet coffeehouse confessional noodlings, Iowa City music can sometimes tend toward a louder rock-based beat.

If you’d like to know what really sets Pardekooper far apart from the herd, though, it’s his business acumen and good fortune. Those two things have allowed him to figure out he can reach a much larger audience by placing his songs in film and television rather than spending 300 days a year living in a minivan and playing in front of a couple dozen people each night for table scraps.

While that upside allows for his music to be heard by millions, the downside is that it’s part of an audio-visual experience for which he doesn’t quite receive full credit, which it makes it more challenging to establish his own brand. And so it came to be that, a few months ago, Pardekooper decided to ditch the day job and devote more time to his craft. Here’s what he wrote in his journal and posted on his website:

Lots of changes for me to end 2015. A few months ago I left my alt-weekly newspaper gig at NUVO in Indy. Anyone who has followed me the past 15 years knows I love alt-weekly newspapers and they’re very connected to my University of Iowa education/background. And other than music, weekly press has always been my main gig having worked at three alt-newspapers over the years.

I’ll be spending more time working on new songs/recordings in 2016. I’ve been lucky to have a very patient and active music publisher who has always been supportive of my songs. Life is funny. When I left East Nashville over a decade ago to follow my wife’s medical career, I never thought it would eventually lead me to Los Angeles and a whole new life for my song catalog. I guess the moral would be follow your heart ya’ll.

And in recent music news, I just got word that my song “Just Shoot Me” is going to be used in an upcoming film called All We Had. Releasing sometime in 2016, the film stars Katie Holmes and Luke Wilson. So there’s that little news nugget from the universe nudging me along to keep plugging away at the songs. My music career pretty much equals slow turtle.

That song comes off of Kelly’s Haymaker Heart album, released back in 2004. Twelve years ago. When he talks about the slow turtle, he is referencing his spirit animal, providing a definition written by Elena Harris. For those in a rush to succeed, you might want to take a moment to read these words:

The turtle totem wisdom teaches us about walking our path in peace and sticking to it with determination and serenity. Slow moving on earth, yet also incredibly fast and agile in water, those who have the turtle as totem or spirit animal may be encouraged to take a break in their busy lives and look around or within themselves for more grounded, long-lasting solutions. Traditionally, the turtle is symbolic of the way of peace, whether it’s inviting us to cultivate peace of mind or a peaceful relationship with our environment.

 

This article was originally published as an Easy Ed’s Broadside column over at No Depression: The Journal of Roots Music.

Many of my past columns, articles, and essays can be accessed here at my own site, therealeasyed.com. I also aggregate news and videos on both Flipboard and Facebook as The Real Easy Ed: Americana and Roots Music Daily. My Twitter handle is @therealeasyed and my email address is easyed@therealeasyed.com.

On Indiana, Wilco and Jim Nabors

FreedomMost of the time, I just write about the music. It’s why you come here, so I’m aware I need to stay on topic. A few times over the years I’ve veered off course; most notably when a college student attending the University of Virginia went missing from a Metallica concert a few years back. As a parent, I found myself deeply affected by the anguish that Morgan Harrington’s family was going through, so I wrote an article about her, posted it here, and hoped for the best. The story was all over the news and social media. But I thought any additional exposure might be helpful – who knows, maybe there was a reader from Virginia who might have seen something or have information to share. I know, it was naive of me. But I had to say something.

Indiana. It’s been hard to miss the news about this state. They passed a law a few weeks ago. At first glance, it was not unlike a federal law passed by both the Democrats and Republicans back in the early 1990s called the Religious Freedom Restoration Act. A bunch of other states have passed a version, too. (And like most laws, it’s complex and I’m not going to spend my time nor yours in explaining it here. Go forth and Google.)

What you need to know is that the Indiana legislature decided to add a little extra kick to their version of the RFRA, resulting in what would have amounted to permissible discrimination against people on the basis of sexual orientation or gender identity. And, while the talking heads on cable news might make it sound like it’s about the right to not sell pizza that might be eaten at a gay wedding, or the right to refuse to bake a cake on which you have to write “Congratulations Carol and Anna” in frosting, because it goes against your religious beliefs, that’s the smoke and mirrors around the topic. The topic itself is singular: intolerance.

By now you probably know what happened. Titans of technology united with barons of business to stand up against discrimination. Cities and states quickly passed laws of their own condemning Indiana. There was talk that the NCAA might pull the Final Four tournament out of Indianapolis. And Wilco cancelled an upcoming show and issued this statement on their Facebook page:

“We are canceling our May 7 show at the Murat in Indianapolis. The ‘Indiana Religious Freedom Restoration Act’ feels like thinly disguised legal discrimination to us. Hope to get back to the Hoosier State someday soon, when this odious measure is repealed.”

There were a few other musicians who raised their voices as well. Can you guess who? Miley Cyrus was probably one of the most vocal on her Twitter account, and she publicly supported Wilco’s decision. REM’s Michael Stipe posted a video saying he loved the people of Indiana but the governor could go “F” himself. And in a letter to the Indianapolis Star, Indiana native John Mellencamp wrote:

“I am not questioning the sincerity of those who believe they have acted in the interests of religious freedom, but I am resolutely stating my opposition to this misnamed and ill-conceived law. It is discriminatory, hurtful, and a stain on Indiana’s national reputation.”

Mellencamp distanced himself from Wilco’s decision by adding that he would continue with planned shows in Indiana because he doesn’t want to let the government come between him and his fans from his native state. Meanwhile, a group of Indiana-based indie record labels (including Sufjan Stevens’ Asthmatic Kitty Records and members of the Secretly Group) signed a press release aligning themselves with civil liberties and the LGBT community but urging the artists not to cancel their scheduled live performances in order to achieve the abolition of the law:

“To musicians with events scheduled in Indiana – please follow through and perform. While canceling shows is one way to protest, a greater statement can be made by coming here and using your art to influence the policy debate that is occurring locally. You can insist that the venue you play publicly states that they will not discriminate under any circumstances. If the venue won’t do that, rebook your show with another venue that will. Your performance can be a rally. We need your support locally.”

So then, what about Wilco? Did they jump the gun or help further publicize the damage this law could have done? Seeing as, in a matter of days, the law was re-worked, and the governor of Arkansas chose not to sign a similar law there, it seems the voice of that band, along with all the others, was loud enough to be heard.

On April 3, Wilco took to Facebook again:

We consider the changes to Indiana’s RFRA a good first step toward creating the sort of welcoming environment we encourage everywhere, so we’re reinstating our May 7 show at The Murat, which we canceled earlier this week. To quote an Indiana University statement from yesterday, ‘religious liberty and equal protection under the law are both cornerstones of our democracy and they should not be in conflict with each other.’ Well said, IU.

While a small battle may have been won, victory for human rights is too far to view. Look no further than the Civil Rights Act of 1964, and contrast it with what’s been happening in Ferguson, MO, 51 years later: laws alone will not change people, their beliefs, or their actions. While public opinion has tilted in favor of supporting gay marriage and equality, and with the US Supreme Court expected to rule on those rights later this year, there will still remain a large group of people in America who will use whatever power they can to sway both the political and cultural opinion.

Of all that I have read or heard this past week, it was an op-ed piece in the Washington Post from the most unlikely person imaginable that I have found truly hopeful. Change comes incrementally, and here’s an example. This is what Arnold Schwarzenegger, the former Republican governor of California, wrote to his party:

“As an American, I’m incredibly concerned about what happened in Indiana this week and the threat of similar laws being passed in other states. As a Republican, I’m furious.

I know plenty of Republicans who are sensible and driven to solve problems for America. They believe in Reagan’s vision of a big tent where everyone is welcome. This message isn’t for them. It is for Republicans who choose the politics of division over policies that improve the lives of all of us. It is for Republicans who have decided to neglect the next generation of voters. It is for Republicans who are fighting for laws that fly in the face of equality and freedom.”

Should you have made it this far, it’s time for the music.

Back in the 1960s and ’70s, an actor from Alabama by the name of Jim Nabors portrayed the character Gomer Pyle, first on the Andy Griffith Show and then his own hit show. In addition to being a television star, he also had a deep baritone voice and released a number of albums, many that were full of spiritual songs. On January 15, 2013, one month after same-sex marriage became legal in Washington State, Nabors married his partner of 38 years, Stan Cadwallader, in Seattle.

Nabors is also well known for singing “Back Home Again in Indiana” prior to the start of the Indianapolis 500, held annually over the Memorial Day weekend. Except for a few absences due to health or other conflicts, he sang the unofficial Indiana anthem every year from 1972 until his final appearance there in 2014. Listen to the cheers as he’s announced. Watch the crowd give him a standing ovation at the end. Indiana is a state full of good people, in spite of the political and religious intolerance we witnessed that propelled them onto the front page.

It’s nice to know that Wilco will be there, too, so their voices and music can soar through the fear and hate.

This was originally published by No Depression, as an Easy Ed’s Broadside column.