Tag Archives: new music

New Tunes For Old Ears

Photo: Creative Commons 2.0

‘How To Catch Fish And Music In The Stream’ was the working title to this one, but as you can see I focused on new tunes for old ears instead. While it’s pretty easy to discover music on playlists and from recommendations on most of the streaming services that I hop around on, I’ve honestly never caught a fish in a stream. Nor a river, creek or lake for that matter. And then I also realized that if I stuck with that headline, I’d better include some great recipes too. Of which I have none. So I went with an idiom that was likely first used back in 1616 by Shakespeare in his play Comedy of Errors.

I’m gonna guess that y’all aren’t that interested in idioms or their country cousin phrasal verbs, but damn if it didn’t capture my attention for a good 15 minutes. A few examples of the former would be things like: “add insult to injury,” “Elvis has left the building,” “once in a blue moon,” and “to make a long story short” … or in this case, a short story long. But I don’t want to just jump into the music without sharing some phrasal verbs: do over, give back, hang up, and take down are but a few. And some of you might recall this triple grouping from back in the ’60s: turn on, tune in, drop out. I’ll leave it at that.

Kate Wolf

I had sadly put Kate’s music in a corner of my mind until I came across a live clip of Nanci Griffith and Emmylou Harris singing what is likely her most popular song, “Across the Great Divide.” She left us early at the age 44 back in 1986, diagnosed with leukemia and passing away after complications from a bone marrow transplant. Her recording and concert career began in 1976 and she released seven albums while alive, and another six have since come out. There’s also a wonderful tribute album that Red House Records did in 1998, Treasures Left Behind: Remembering Kate Wolf. She was so well loved and respected in the folk community that each year since 1996 her family has hosted the Kate Wolf Music Festival in Northern California. If you’re looking for an entry ramp to her discography, I’m partial to Poet’s Heart and Give Yourself to Love.

The Other Years

The Other Years are Anna Krippenstapel and Heather Summers from Kentucky, and their self-titled album goes far beyond yet another collection of old-time music. Using only their voices, guitar, fiddle, and banjo, they complement each other as if they’ve been doing this forever and yet it’s Heather’s first group effort. Anna plays fiddle for Joan Shelley and Freakwater, and the group will be opening on Louisville’s Bonnie “Prince” Billy’s current tour.

Marc Ribot: Songs of Resistance 1942-2018

This album of 11 songs of original and traditional songs features a number of different guests and styles. Appearing are Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, Ohene Cornelius, Tift Merritt, Domenica Fossati and Syd Straw.A seasoned guitarist with over 25 solo albums and an in-demand session player you’ve heard on dozens and dozens of recordings, Ribot gives this as his reason for releasing this compilation:“There’s a lot of contradiction in doing any kind of political music, how to act against something without becoming it, without resembling what you detest. Sometimes it is hard to figure out what to do, and I imagine we’ll make mistakes, and hopefully, learn from them. But I knew this from the moment Donald Trump was elected: I’m not going to play downtown scene Furtwangler to any orange-combover dictator wannabe. No way.”

Portions of the album’s proceeds will be donated to The Indivisible Project, an organization that helps individuals resist the Trump agenda via grassroots movements in their local communities. More info can be found at www.indivisible.org.

Laura Cantrell

Hard to believe that it’s been almost six years since Laura Cantrell last released an album. I’ve placed all five of her albums, as well as the five EPs she’s put out, on my current “crazy compulsive obsessions” playlist and have been playing the heck out of them. Laura is based here in New York and did gigs earlier this year in England, Ireland, and Spain, and she has a monthly concert series called States of Country that she does here at Sid Gold’s Request Room. She also hosts Dark Horse Radio, a program devoted to the music of George Harrison, on SiriusXM’s Beatles Channel.

Lindi Ortega

This year’s Liberty album has me totally entranced. I’ve gone back and revisited all of her past work and the only thing you really need to know is she’s from Canada, now lives in Nashville, and is doing stuff nobody else does. Brilliant work. Go forth and seek it out. Done.

And don’t forget … Willie’s reminder to vote:

This article was originally published as an Easy Ed’s Broadside column over at No Depression: The Journal of Roots Music.

Many of my past columns, articles, and essays can be accessed here at my own site, therealeasyed.com. I also aggregate news and videos on both Flipboard and Facebook as The Real Easy Ed: Americana and Roots Music Daily. My Twitter handle is @therealeasyed and my email address is easyed@therealeasyed.com.

Damn the Hype, Praise the Boxer

jack_johnsonIf I was a baseball player you might say I’m in a slump. I feel as though, when I’m up to bat, I swing at air. If a ball speeds toward me, I reach up to catch but it just sails through my glove. I could grow a beard, shave it off, lower my right shoulder, raise my left, shuffle my feet, or tug at my ears. No change. And that’s probably the best analogy I can come up with, as to my current relationship with new music.

This affliction is hardly new, and I’ve been struck by it several times in the past few years. One cure that seems to work has been for me to take a break from the new stuff and get back to the tried and true — simply immerse myself in old favorites. I might spend a month listening to only the Carter Family Border Radio set, or something completely off the wall. Last year, it was 60 days of the complete Elvis Costello discography.

I realize that it can wear a little thin when those of us who have the good fortune of being able to share our discoveries and opinions with readers on a regular basis are constantly dragging out endless stories about the good ol’ days. I have attempted — but perhaps not always succeeded — to strike a balance. After all, No Depression‘s new tagline is “The Journal of Roots Music,” but I think it’s fair to say that the majority of the subject matter and content that dominates this website and others like it is primarily focused on new releases: artists currently on tour, upcoming festival lineups, reviews of recent concerts.

About four months ago, I started to aggregate and post a minimum of three news stories per week on my various social media platforms that related to roots music. Relying on two dozen websites that emphasize folk, blues, jazz, alt-country, bluegrass, old-time, and the ilk, I soon discovered that everybody is (more or less) reporting on the same news, the same artists, and the same albums. While I still budget my “ear share” to listening to a dozen or so new albums each week, I find that very little of it is sticking.

Now, this isn’t a situation where the old curmudgeon doesn’t think there’s great music out there, waiting to be heard. At least I hope it isn’t coming off like that. To the contrary, I think there’s almost too much of the good stuff and too little time to find it. I find myself feeling as though I’m being manipulated by high octane hype that’s beginning to stifle my overall interest. Throw in the weekly Top 40 chart from the Americana Music Association along with dozens of stories about the artist-album-flavor of the week from Sturgill, Hayes, Parker, Margo, or the Jayhawks, and it just makes me want to … what … listen to Bruce Springsteen do “Purple Rain” again?

For now, I’m alternating my listening time between Norman Blake’s Flying Fish output and hundreds of various jazz titles that have been ripped from old 78s, digitized, and sent to me from a friend in Europe.

Meanwhile, Ernie in Kansas City piqued my interest when he sent me a note asking if I knew about the famous boxer Jack Johnson, who went by the nickname of “The Galveston Giant.” He was the first African-American world heavyweight champion, from 1908 through 1915. In the 1920s, after serving time in prison, he recorded a side or two for Ajax Records. He has an amazing life story and Ken Burns produced a film about him you might want to check out.

Recently I found this clip and it’s reminds me of why I love music. Both old and new.

This was originally published as an Easy Ed’s Broadside column on the No Depression website.

Photo by Otto Sarony/1908 CC 2.0